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Young scholar Zhang Junrui (张君瑞, also called Zhang Sheng 张生) is the male protagonist in the famous ancient Chinese play, <a href="https://tutuhaoyi.com/figures-stories/romance-of-the-western-chamber/" target="_blank" rel="noopener">Romance of the Western Chamber</a> (西厢记 Xixiang ji, alternative translation is The Story of the Western Wing). He was commonly referred to as Scholar Zhang. The son of a cabinet minister of the court, he suffered the tragedy of losing both parents. This left him with only his sword and his books for solace and entertainment. Thus, he decided to sit for civil-service examinations. In Episode 2 of the play, he set off on horseback to the capital with his pageboy. The scene (in fig. 1 &amp; 21) depicts the moment when they approached the district of Pudong on the west bank of the Yellow River, in the territory of the Hezhong Prefecture (张生至蒲东).
image identification and literature research: by Dr <a href="https://tutuhaoyi.com/about-us/dr-yibin-ni/" target="_blank" rel="noopener">Yibin Ni</a> 
Other episodes in the Romance of the Western Chamber:
<a href="https://tutuhaoyi.com/figures-stories/consummation-of-love-from-western-chamber/" target="_blank" rel="noopener">Consummation of love from Western Chamber 月下佳期</a>
<a href="https://tutuhaoyi.com/figures-stories/yingying-listening-to-the-qin-zither-playing/" target="_blank" rel="noopener">Yingying Listening to the Qin Zither Playing 莺莺听琴</a>
<a href="https://tutuhaoyi.com/figures-stories/yingying-receiving-good-news-delivered-by-the-pageboy/" target="_blank" rel="noopener">Yingying receiving good news delivered by the pageboy 泥金报捷</a>
<a href="https://tutuhaoyi.com/figures-stories/scholar-zhang-getting-drunk-due-to-madame-cuis-broken-promise/" target="_blank" rel="noopener">Scholar Zhang getting drunk due to Madame Cui’s broken promise 张生醉酒 (崔母悔婚)</a>

Scholar Zhang Embarking on His Journey to Sit for Civil-Service Examinations

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Emperor Yang of the Sui dynasty (隋炀帝, r. 606-18) is known for many achievements, such as linking the Yellow and Yangzi Rivers with the man-made Grand Canal, leading successful military campaigns expanding the Sui territory, and being accomplished in the arts. Despite those, Emperor Yang is also considered to have brought disaster to the country and misery to the people late in his life with his unwise rule and decadent and debauched lifestyle with his concubines. In the West Park, outside Luoyang, his consorts (wives who ranked lower than his primary wife, the empress) often organised his concubines to do equestrian performances and variety shows to entertain the emperor and please his inflated ego.
One of the best known of these vignettes was the procession of Lady Wang Zhaojun (王昭君, c.52 &#8211; c.15 BCE) in a moonlit night. (Lady Wang Zhaojun was one of the legendary Four Beauties of Ancient China. She had been in the harem of Emperor Yuan of the Western Han dynasty [汉元帝, 206 BCE &#8211; 8 CE]. He eventually <a data-internal-link="true" href="https://tutuhaoyi.com/figures-stories/lady-wang-zhaojun-going-out-of-the-frontier-pass/" target="_blank" rel="noopener">sent her off by horseback in a procession</a> to marry a Central Asian tribal chieftain.) The elderly Emperor Yang is often depicted enthusiastically observing his elegant court ladies showing off their riding skills in the spirit of Lady Wang, while anticipating further antics to follow.
This scene has often been mistaken as ‘female generals of the Yang family’(杨门女将) by many art historians. However, Dr <a data-internal-link="true" href="https://tutuhaoyi.com/about-us/dr-yibin-ni/" target="_blank" rel="noopener">Yibin Ni</a> has found that historical woodblock illustrations such as that of the novel Romance of Sui and Tang (隋唐演义), and New-Year prints such as Wang Zhaojun’s Galloping Horses (新彩昭君跑马) bear similar scenes with clear written titles which reveal that the scene is actually meant to be a cautionary tale for rulers. Chu Renhuo (褚人获)&#8217;s Romance of Sui and Tang fictionalises the historical events leading to the fall of the Sui dynasty and the subsequent rise of the Tang.
Literature:
Jeffrey P. Stamen and Cynthia Volk with Yibin Ni (2017), A Culture Revealed: Kangxi-Era Chinese Porcelain from the Jie Rui Tang Collection 文采卓然：潔蕊堂藏康熙盛世瓷, Jieruitang Publishing, Bruges, pp. 30-33.

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