Eight auspicious emblems
八吉祥
© Tutuhaoyi.com owns the copyright of the description content for the images attached. Quoting all or part of the description content on this page is permitted ONLY IF ‘Tutuhaoyi.com’ is clearly acknowledged anywhere your quote is produced unless stated otherwise. (本页描述内容版权归Tutuhaoyi.com所有,转发或引用需注明 “Tutuhaoyi.com”, 侵权必究, 已注开源信息的条目除外。)
The Eight Auspicious Emblems, also known as ‘ba bao’ (八宝, Eight Treasures), or ‘ba rui xiang’ (八瑞相, Eight Symbols of Good Fortune), are a set of symbols in traditional Tibetan Buddhism. These symbols are often depicted together, bringing positive energy, good fortune, and well-being to the surroundings. Here are the Eight Auspicious Emblems along with their meanings:
- Dharma Wheel (Dharmachakra): Signifies the Eightfold Path and the cycle of existence.
- Conch Shell: Represents the call to awaken and spread the teachings of truth.
- Parasol (Umbrella): Symbolises protection and shelter from suffering and negativity.
- Victory Banner: Represents triumph over obstacles and the path to enlightenment.
- Lotus Flower: Symbolises purity, enlightenment, and rising above challenges.
- Treasure Vase: Signifies endless spiritual wealth, prosperity, and fulfillment.
- Pair of Golden Fishes: Represents abundance, freedom, and harmony in life’s currents.
- Eternal Knot: Symbolises interconnectedness, eternity, and interdependence.
*Open source
Fig 1: porcelain stem bowl with underglaze blue decoration, Xuande period (1426–1435), Ming dynasty, courtesy of the National Gallery of Art, Washington D. C.
Fig 2: porcelain flask with underglaze blue decoration, Qianlong period (1736–1795), Qing dynasty, courtesy of the National Palace Museum, Taipei
Fig 3-4: cinnabar incense burner, Qianlong period (1736–1795), Qing dynasty, courtesy of the National Palace Museum, Taipei
Fig 5-8: porcelain bowl with overglaze polychrome decoration, Qianlong period (1736–95), Qing dynasty, courtesy of the Metropolitan Museum of Art, New York
Fig 9-10: incense burner with overglaze polychrome decoration, Jiaqing period (1796–1820), Qing dynasty, courtesy of the Metropolitan Museum of Art, New York
Fig 11: porcelain basin with overglaze polychrome decoration, Jiaqing period (1796–1820), Qing dynasty, courtesy of the National Palace Museum, Taipei
Fig 12: gilded Dharma wheel statue, Jiaqing period (1796–1820), Qing dynasty, courtesy of the National Palace Museum, Taipei