Funeral Halt at the Secluded Monastery

萧寺停丧

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This scene opens the first act of Romance of the Western Chamber and establishes the historical setting while introducing the principal characters.

The female lead is Miss Cui Yingying 崔莺莺, a 19-year-old young lady from the esteemed Cui family. She is accompanied by her mother, Lady Zheng 郑氏 (also referred to as Madame Cui 崔夫人), the family’s adopted son Huanlang 欢郎, and her clever maid, Hongniang 红娘. Madame Cui had long arranged Yingying’s betrothal to her own nephew, Zheng Heng 郑恒, and has recently sent him a letter urging him to come and assist with the family’s affairs.

The story is set in the year AD 801. Following the death of Madame Cui’s husband—the former Prime Minister of the Tang dynasty—the family is escorting his coffin back to their ancestral home. However, their journey is obstructed, and they take temporary lodging in the western wing of the Monastery of Universal Salvation (Pu Jiu Si 普救寺). The play’s title, Romance of the Western Chamber (Xixiang Ji 西厢记), is derived from this setting.

Meanwhile, the male lead of the play, the young scholar Zhang Gong 张珙(courtesy name Junrui 君瑞), is travelling to the capital to sit the imperial civil service examinations. See more images and scene description here.

 

story scene description by Rachel Ma

 

Other figural stories on Chinese artworks:

Zhang Chang Painting His Wife’s Eyebrows 张敞画眉

Xiao Shi’s Playing the Xiao Flute Attracting Phoenixes 萧史吹箫引凤

Archery Contest at Bronze Sparrow Terrace 铜雀台比武

Acknowledgement:

Fig 1: famille verte porcelain ovoid jar, Kangxi period (1662–1722), Qing dynasty, courtesy of The Burrell Collection, Glasgow, the UK; Photograph by Mr Robert Bradlow

Fig 2-3: rouleau vase with overglaze enamelled decoration, Kangxi period (1662–1722), Qing dynasty, courtesy of The Guimet Museum, Paris; Photograph by Mr JP Kim

Fig 4-5: rouleau vase with underglaze blue decoration, Kangxi period (1662–1722), Qing dynasty, courtesy of the Victoria & Albert Museum, London; Photograph by Mr JP Kim

Fig 6-7: famille verte porcelain charger, Kangxi period (1662–1722), Qing dynasty, courtesy of Munich Residence Museum; Photograph by Mr Jason Ooi

Fig 8: porcelain bowl with underglaze blue decoration, Kangxi period (1662–1722), Qing dynasty, courtesy of Bertrand de Lavergne Gallery, Paris

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