Water Margin

水浒传

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Water Margin, also known as Outlaws of the Marsh or All Men Are Brothers, is a classic Chinese novel written during the Ming Dynasty. It is considered one of the Four Great Classical Novels of Chinese literature.

The authorship of the Water Margin has always been a subject of debate, and the most widely accepted view is that it was written by Shi Nai’an 施耐庵. There have been several other viewpoints in history, including those of Luo Guanzhong 罗贯中 and Shi Hui 施惠.

The story portrays the corrupt state of the Northern Song Dynasty in the early twelfth century, where treacherous court officials held significant power and treated Emperor Huizong 宋徽宗 as a puppet, setting up loyal officials and innocent people. The one hundred and eight outlaws in the story each had their own unique traits and experiences, some being wrongfully framed and having nowhere to escape, eventually being forced to seek refuge at Liangshan Marsh. They defended justice, fought against social inequality, and resorted to robbing the rich to help the poor. Over time, their group grew stronger, leading to a rebellion against the corrupt government. However, towards the end of the story, the outlaws accepted amnesty.

The content of the Water Margin, which focuses on a gathering of people opposing the imperial court, was considered a major taboo for feudal dynasties. Therefore, from the reign of Emperor Chongzhen to the end of the Qing Dynasty, the Water Margin remained a banned book. The prohibition was particularly strict during the reigns of the Kangxi, Qianlong, Jiaqing, and Daoguang Emperors of the Qing Dynasty. However, it is incredible to see the depictions of the characters and story scenes from the Water Margin on many Kangxi folk porcelains.

Stories of the Outlaws in the Novel:

Wu Song Slaying the Tiger 武松打虎

Acknowledgement:

Fig 1-4: sleeve vase with underglaze blue decoration, c. 1640, courtesy of Bonhams Auction House London, 11 November 2010, Lot 364

Fig 5: pair of rolwagen vases with underglaze blue decoration, mid-17th century, courtesy of The Royal Collection Trust, UK, RCIN 1208

Fig 6-9: small porcelain dishes with underglaze blue decoration, Shunzhi period (1644–61), Qing dynasty, courtesy of Christie’s Auction House New York, 16 Mar 2015, Lot 3556

Fig 10: vase with underglaze blue decoration, mid-17th century, courtesy of Asian Civilisations Museum, Accession No. 2002-00083

Fig 11: porcelain vase with underglaze blue decoration, Kangxi period (1662–1722), Qing dynasty, courtesy of Christie’s Auction House, New York, 16 March 15, Lot 3572

Fig 12: famille verte porcelain dish, Kangxi period (1662–1722), Qing dynasty, courtesy of the Trustees of the British Museum, Museum number: Franks.522.+

Fig 13-14: pair of gilt-decorated famille verte plates, Kangxi period (1662–1722), Qing dynasty, courtesy of the National Gallery of Victoria, Melbourne; Felton Bequest, 1923; Photo: National Gallery of Victoria, Melbourne

Fig 15: gilt-decorated famille verte plates, Kangxi period (1662–1722), Qing dynasty, courtesy of Christie’s Auction House, Hong Kong, 30 Nov 2023, Lot 3051

Fig 16: famille verte porcelain dish, Kangxi period (1662–1722), Qing dynasty, courtesy of the Metropolitan Museum of Art, New York, Accession Number: 21.175.39

Fig 17-18: famille verte porcelain dishes, Kangxi period (1662–1722), Qing dynasty, courtesy of the Rijksmuseum, Amsterdam

Fig 19: famille verte porcelain dish, Kangxi period (1662–1722), Qing dynasty, courtesy of the National Palace Museum, Taipei

Fig 20-22: famille verte porcelain dishes, Kangxi period (1662–1722), Qing dynasty, courtesy of Philadelphia Museum of Art

Fig 23: famille verte porcelain dish, Kangxi period (1662–1722), Qing dynasty, courtesy of Ashmolean Museum, University of Oxford, Accession no: EAX.3531

Fig 24: famille verte porcelain dish, Kangxi period (1662–1722), Qing dynasty, courtesy of Ashmolean Museum, University of Oxford, Accession no: EAX.3532

Fig 25: famille verte porcelain dish, Kangxi period (1662–1722), Qing dynasty, courtesy of Ashmolean Museum, University of Oxford, Accession no: EA1978.1256

Fig 26-29: famille verte porcelain dishes, Kangxi period (1662–1722), Qing dynasty, courtesy of the Victoria & Albert Museum, London

Fig 30-31: famille verte porcelain dishes, Kangxi period (1662–1722), Qing dynasty, courtesy of the Jie Rui Tang Collection

Fig 32: famille verte porcelain dish, Kangxi period (1662–1722), Qing dynasty, courtesy of Marchant Gallery, London

Fig 33: famille verte porcelain saucer dish, Kangxi period (1662–1722), Qing dynasty, courtesy of Christie’s Auction House Amsterdam, 21 Nov 2007, Lot 209

Fig 34: famille verte green-glaze-backed dish, Kangxi period (1662–1722), Qing dynasty, courtesy of Christie’s New York, 14 September 2017, Lot 741

Fig 35: famille verte porcelain dish, Kangxi period (1662–1722), Qing dynasty, courtesy of Christie’s Auction House London, 5 Nov 2019, Lot 179

Fig 36-37: famille verte lime-green-back dishes, Kangxi period (1662–1722), Qing dynasty, courtesy of Christie’s Auction House HK, 30 May 2023, Lot 2823

Fig 38-40: famille verte porcelain dishes, Kangxi period (1662–1722), Qing dynasty, courtesy of The Burrell Collection, Glasgow, UK

Fig 41: porcelain vase with enamelled decoration, ca. 1849-1850, courtesy of the Victoria & Albert Museum, London, Accession Number 666-1883

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