Nine Autumn Flowers
九秋图
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The ‘Nine Autumn Flowers’ (Jiu Qiu Tu 九秋图) is a distinguished pattern in traditional Chinese decorative art, frequently employed to symbolise the richness and splendour of the autumn season. This theme features nine varieties of flowers, although not in a fixed set, collectively representing abundance, vitality, and the vibrancy of the autumn. While the specific floral elements may vary by artwork, the following are commonly depicted:
- Chrysanthemum (Ju Hua 菊花): Emblematic of purity and longevity, it is a quintessential symbol of autumn.
- Osmanthus (Gui Hua 桂花): Associated with wealth, auspiciousness, and harvest, its fragrant blooms enhance its symbolic appeal.
- Cotton Rose (Furong 芙蓉): A representation of beauty and prosperity.
- Hibiscus (Mujin 木槿): A metaphor for gentleness and resilience.
- Pomegranate Flower (Shiliu Hua 石榴花): A symbol of fertility, prosperity, and vitality.
- Begonia (Qiuhaitang 秋海棠): Conveying happiness and harmonious relationships.
- Chinese Rose (Yueji 月季): An emblem of flourishing prosperity and success.
- Morning Glory (Qianniu Hua, 牵牛花): Representing vitality and new opportunities, often associated with the changing seasons.
- Cockscomb (Jiguan Hua, 鸡冠花): Representing good fortune and vibrant energy.
- Golden Lotus (Jinlian Hua, 金莲花): A sacred flower associated with spirituality and beauty.
- Silvergrass (Yinliang Cao, 银亮草): Often used in autumn scenes to add texture and an ethereal quality to the composition.
Related Pun Pictures:
May you have as many male offspring as a pomegranate has seeds 榴开百子
May you have repeated promotions 官上加官
May your jade palatial home be honoured and full of riches 玉堂富贵
Fig 1: Nine Autumn Flowers 九秋图, hanging scroll, ink and colour on paper, by Wang Hui (王翚 1632–1717) and eight other painters, 1695, courtesy of the Palace Museum, Beijing
Fig 2: Nine Autumn Flowers 九秋图, handscroll, ink and colour on paper, by Qian Weicheng (钱维城 1720–1772), 1767, courtesy of the China Three Gorges Museum, Chongqing, China
Fig 3: Nine Autumn Flowers 九秋图, handscroll, ink and colour on paper, by Qian Weicheng (钱维城 1720–1772), 1768, courtesy of the Palace Museum, Beijing
Fig 4-6: porcelain bowl with overglaze enamelled decoration, Kangxi period (1662–1722), Qing dynasty, courtesy of the Shanghai Museum, China, photography by Rachel Ma