Five Supernatural Beasts


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The ‘five supernatural beasts’ include the dragon, the phoenix, the tiger, the qilin and the tortoise. This notion was found to be first mentioned by Du Yu 杜预 (222–285), a third-century Confucian scholar. He annotated the ancient Chinese chronicle Spring and Autumn Annals (春秋 Chunqiu) with The Commentary of Zuo (左传 Zuo zhuan), a collection of historical events ranging from 722 to 468 BCE. In his preface to his new book (杜预《春秋左氏传》序), Du Yu noted, ‘The “Five Supernatural Beasts (五灵 wu ling)” including the qilin unicorn and the feng phoenix are good omens for the king and the powerful (麒凤五灵,王者之嘉瑞也)’.

Kong Yingda (孔颖达 574–648), a later commentator of Du Yu’s book, matched each member of this group to Wuxing (五行), or a fivefold conceptual scheme in Chinese philosophy, and five directions (including the starting point: the middle), following the Han-dynasty (206 BCE – 220 CE) tradition: long-dragon for the east and wood, feng-phoenix for the south and fire, qilin for the middle and earth, white tiger for the west and metal, and divine tortoise for the north and water.

Kong Yingda’s book, Correct Meaning of The Commentary of Zuo (左传正义 Zuo zhuan zhengyi) was adopted as the standard textbook for the civil-service examinations in China for nearly a millennium and remained to be the basis for all following scholarly commentaries of the classic Spring and Autumn Annals and The Commentary of Zuo. The conventional notion of the ‘Five Supernatural Beasts’ mentioned in his book thus remained to be influential because of the authority of Du Yu’s book among the Chinese literati.

image identification and literature research by Dr Yibin Ni 

Read Dr Ni’s blog here to see how this theme was misinterpreted in contemporary books.


Fig 1: porcelain dish with underglaze blue decoration, Kangxi period (1662–1722), Qing dynasty, courtesy of the Palace Museum, Beijing

Fig 2-3: porcelain flower pot with underglaze blue decoration, Kangxi period (1662–1722), Qing dynasty, courtesy of the Palace Museum, Beijing

Fig 4: woodblock printed illustration of ‘Five Divine Creatures’, from Master Fang’s Ink-Cake Album (方氏墨谱 Fang shi mo pu), 1589

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