Eighteen Scholars of Tang

十八学士

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‘Eighteen Scholars’ was the name bestowed upon the circle of eminent men whom Li Shimin, later Emperor Taizong, drew to his side in the early Tang dynasty.

In the fourth year of Wude (621 CE), Prince Qin Li Shimin 李世民, ennobled as Grand General of Heavenly Strategy and permitted to appoint his own officers, founded the Literary Hall in the western precincts of the palace and summoned men of distinction. Eighteen scholars entered his service, taking turns to reside there, discoursing on history and statecraft, and receiving honours of the highest order. Contemporaries likened their privilege to ascending the fairy isle of Yingzhou, whence they were styled the ‘Eighteen Scholars of Yingzhou’, or more simply the ‘Eighteen Scholars’.

The Old Book of Tang records that Emperor Taizong commanded portraits of them to be painted with names and origins inscribed, and further ordered Chu Liang 褚亮 to compose encomia, the work being preserved in the imperial library. The New Book of Tang attributes the painting instead to Yan Liben, celebrated in his time as a master whose brush achieved ‘divine transformation’.

 

story scene description by Rachel Ma

 

Related Chinese Figural Stories on ancient artworks:

When Red Fly Whisk Fell Head over Heels for the Scholar 张娘心许

A single chess play that claims victory 棋决雌雄

Acknowledgement:

Fig 1: Eighteen Scholars, hanging scroll, ink and colour on paper, anonymous, Song dynasty (960–1279), courtesy of the National Palace Museum, Taipei

Fig 2-3: gourd-shaped porcelain vase with underglaze blue decoration, 15th century, Ming dynasty, courtesy of the National Palace Museum, Taipei

Fig 4-7: Eighteen Scholars, four hanging scrolls, ink and colour on paper, Du Jin (1456–after 1528), Ming dynasty, courtesy of the Shanghai Museum, Shanghai; photograph by Rachel Ma

Fig 8: porcelain brush pot with underglaze blue decoration, Kangxi period (1662–1722), Qing dynasty, courtesy of the Palace Museum, Beijing

Fig 9: porcelain vase with underglaze blue decoration, Kangxi period (1662–1722), Qing dynasty, courtesy of the Palace Museum, Beijing

Fig 10: porcelain bowl with underglaze blue decoration, Kangxi period (1662–1722), Qing dynasty, courtesy of the Museum of Fine Arts, Boston

Fig 11: porcelain bowl with underglaze blue decoration, Kangxi period (1662–1722), Qing dynasty, courtesy of The Burrell Collection, Glasgow

Fig 12: porcelain brush pot with underglaze blue decoration, Kangxi period (1662–1722), Qing dynasty, courtesy of the Victoria & Albert Museum, London

Fig 13: porcelain vase with underglaze blue decoration, Kangxi period (1662–1722), Qing dynasty, courtesy of the Palace Museum, Beijing

Fig 14: porcelain brush pot with yellow overglaze, Daoguang period (1821–50), Qing dynasty, courtesy of The Capital Museum, Beijing

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