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Who is the figure on the cloud in the dream scene of the Peony Pavilion?

The Peony Pavilion is a famous play written by Tang Xianzu in Ming Dynasty. There are very few figural paintings depicting this play on Kangxi famille verte porcelain. Dr Yibin Ni first identified the figures and the scene on a porcelain dish in the V&A Museum at the turn of the millennium, and now is discussing a couple of incorrect details in the description of the scene in their online catalogue.

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Has Jiang Ziya’s mount Got Anything to do with the Père David’s deer?

The following article is a discussion of the substitution of a mythical beast for a horse as Grand Duke Jiang’s mount on three classic porcelain vases adorned with the same story scene of ‘Bo Yi and Shu Qi Trying to Stop the Mighty Zhou Army’. It focuses on the origin and evolution of the two disparate but homophonic expressions ‘Sibuxiang’ in late imperial China and clarifies the terminological confusion in the contemporary world.

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More than naturalistic motifs: recognition of Chinese pun rebus pictures

Many museums and auction houses are often unaware of the pun rebuses hidden in traditional Chinese pictures and have treated them as mere naturalistic ones. Thus, the cultural and social significance contained in the motifs are unfortunately overlooked. Here is an example of a pun rebus design with four different fishes, which conventionally expresses the idea of ‘May you remain pure, clean, and incorruptible’, but was not recognised by most art institutes.

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Why does peach symbolise longevity and immortality in traditional Chinese culture?

In Chinese culture and pictorial art, the peach fruit is often used to wish for long life on birthday parties. How does this fruit become associated with the idea of longevity? Here is Dr Yibin Ni explaining to us the origin of legendary stories related to the peach through his research work over literatures and treasurable artworks.

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A bear or a monkey? Understanding the meaning of pictorial art in the light of Chinese pun rebus culture

When you mistake a motif in a traditional Chinese picture, you could have misinterpreted the meaning of the whole image intended by the ancient craftsman. Dr Yibin Ni has used the following example to illustrate the hidden meaning of a series of images in the context of Chinese pun rebus culture.

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Appreciation of Chinese visual art: depiction of Laozi, the personification of Dao (Tao) on a buffalo’s back

Have you ever wondered why images of an old scholarly man riding a buffalo are often depicted on Chinese antiques? What is so special about this man who looks highly respected and followed by yet still sitting on a buffalo’s back? We hereby invite art historian Dr Yibin Ni to solve the mystery…

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