The Peony Pavilion is a famous play written by Tang Xianzu in Ming Dynasty. There are very few figural paintings depicting this play on Kangxi famille verte porcelain. Dr Yibin Ni first identified the figures and the scene on a porcelain dish in the V&A Museum at the turn of the millennium, and now is discussing a couple of incorrect details in the description of the scene in their online catalogue.
On Duanwu Festival, Chinese people have a variety of practices, such as drinking rice wine sprayed with realgar powder and hanging images of the Heavenly Master on the lintel. Where did this tradition come from and how were these practices depicted on various artefacts? Here are Dr Yibin Ni’s explanations.
The following article is a discussion of the substitution of a mythical beast for a horse as Grand Duke Jiang’s mount on three classic porcelain vases adorned with the same story scene of ‘Bo Yi and Shu Qi Trying to Stop the Mighty Zhou Army’. It focuses on the origin and evolution of the two disparate but homophonic expressions ‘Sibuxiang’ in late imperial China and clarifies the terminological confusion in the contemporary world.
Bo Yi and Shu Qi Stopping the Zhou Army: analysis of traditional Chinese figures and story scenes in assisting dating of antiques
Through analysing a famous theme that depicts Bo Yi and Shu Qi Stopping the Zhou Army, Dr Yibin Ni has compared a number of porcelain vessels from Ming and Qing dynasties, and demonstrated his unique insight which can facilitate the correct dating of Chinese antiques.
Dr Yibin Ni has discussed the differences of symbolic meanings of lily between Western and Chinese cultures in his unique research, bringing new insight into pictorial art.
Many museums and auction houses are often unaware of the pun rebuses hidden in traditional Chinese pictures and have treated them as mere naturalistic ones. Thus, the cultural and social significance contained in the motifs are unfortunately overlooked. Here is an example of a pun rebus design with four different fishes, which conventionally expresses the idea of ‘May you remain pure, clean, and incorruptible’, but was not recognised by most art institutes.
This is a republication of Dr Yibin Ni’s article written in Chinese “明末清初瓷器上张生的‘凝视’和莺莺的挑战”(Gaze from Scholar Zhang and the response from Lady Cui Yingying: a discussion of figural depiction on porcelains from Late Ming to Early Qing dynasty).
In Chinese culture and pictorial art, the peach fruit is often used to wish for long life on birthday parties. How does this fruit become associated with the idea of longevity? Here is Dr Yibin Ni explaining to us the origin of legendary stories related to the peach through his research work over literatures and treasurable artworks.
A bear or a monkey? Understanding the meaning of pictorial art in the light of Chinese pun rebus culture
When you mistake a motif in a traditional Chinese picture, you could have misinterpreted the meaning of the whole image intended by the ancient craftsman. Dr Yibin Ni has used the following example to illustrate the hidden meaning of a series of images in the context of Chinese pun rebus culture.
Appreciation of Chinese visual art: depiction of Laozi, the personification of Dao (Tao) on a buffalo’s back
Have you ever wondered why images of an old scholarly man riding a buffalo are often depicted on Chinese antiques? What is so special about this man who looks highly respected and followed by yet still sitting on a buffalo’s back? We hereby invite art historian Dr Yibin Ni to solve the mystery…