Editor: Hongwu porcelain with underglaze blue and underglaze red decoration has been the treasure from the beginning of Ming Dynasty which was established by Emperor Taizu – Zhu Yuanzhang.

featured image: ewer with underglaze copper red decoration, Hongwu period (1368–98), Ming dynasty, courtesy of the Trustees of the British Museum


Hongwu porcelain cup stand with bracket-lobed rim and underglaze red decoration
porcelain cup stand with bracket-lobed rim and underglaze copper red decoration, Hongwu period (1368–98), Ming dynasty, courtesy of the Trustees of the British Museum
porcelain bowl Hongwu period Ming dynasty
porcelain bowl with underglaze blue decoration, Hongwu period (1368–98), Ming dynasty, courtesy of the Trustees of the British Museum
洪武釉里红军持维多利亚艾伯特博物馆
pure water vessel (kendi) with underglaze copper red decoration, Hongwu period (1368–98), Ming dynasty, courtesy of the Victoria & Albert Museum, London
明代洪武釉里红云龙纹瓶
porcelain vase with underglaze copper red decoration, Hongwu period (1368–98), Ming dynasty, courtesy of Shanghai Museum, China

Zhu Yuanzhang (朱元璋 1328–98) rose to power in China in the middle of the 14th century and his force eventually drove the Mongols back to the Eurasian Steppe. He became the first emperor of the new Ming dynasty (1368–1644).

Seated Portrait of Ming Emperor Taizu
A Seated Portrait of Ming Emperor Taizu (明太祖), c. 1377 by an unknown artist from the Ming dynasty (1368–1644), courtesy of the National Palace Museum, Taipei
明太祖画像 朱元璋
The Hongwu Emperor Zhu Yuanzhang in his old age, c. 1397, courtesy of Wikipedia, https://en.wikipedia.org/wiki/Hongwu_Emperor, accessed on 15 May 2022

He was on the throne for the next thirty years (1368–1398) and rebuilt the country that had been ravaged by war. Jingdezhen continued to be the porcelain production centre and yield fine products such as the underglaze blue yuhuchun 玉壶春 (literally, spring in a jade bottle) from the National Palace Museum, Taipei, meiping (prunus vase) vases from the University of Glasgow, and the underglaze red ewer from British Museum shown here, which were the progenitor of the globally renowned ‘Ming porcelain’.

台北故宫洪武梅瓶
yuhuchun vase with underglaze blue decoration, Hongwu period (1368–98), Ming dynasty, courtesy of the National Palace Museum, Taipei
洪武春寿梅瓶图图好意
meiping vase with underglaze blue decoration, Hongwu period (1368–98), Ming dynasty, courtesy of the Department of History of Art, University of Glasgow
Hongwu ewer lotus floral pattern Tutuhaoyi
ewer with underglaze copper red decoration, Hongwu period (1368–98), Ming dynasty, courtesy of the Trustees of the British Museum

However, in 2019 in a Chinese TV series entitled ‘Ming Dynasty’(大明风华), the founding emperor was portrayed with features very similar to those of Dr. Fu Manchu 傅满洲, an archetypal evil villain that was featured widely in the western popular media for nearly a century.

电视剧大明风华朱元璋形象
snapshot from TV series ‘Ming Dynasty’ (大明风华) broadcast by Youku in 2019
movie the mask of fumanchu 傅满洲
snapshot from movie ‘The Mask of Fu Manchu’ (1932)

It is imprudent of the makers of the TV series to do so because Dr. Fu Manchu was the most notorious embodiment of the hostile western views toward China and related to the notion of ‘Yellow Peril’ in the west.

 

The narrative above was first published on Dr Yibin Ni’s Instagram account on 22 Dec 2019.