Editor: In Chinese porcelain painting, it can be tricky to interpret a round disc in the sky as a sun or a moon. Knowledge of Chinese culture and pun rebuses are the keys to explain the meanings of the motifs and scenes correctly. Dr Yibin Ni will give you some examples here.

image above: porcelain dish (detail), Kangxi (1662–1722), courtesy of Percival David Foundation of Chinese Art

The action of ‘pointing to the sun’ is termed in Chinese as ‘指日 zhi ri’, which sounds and looks exactly the same as (both homophone and homograph of) the phrase ‘指日 zhi ri’ meaning ‘in a few days’ time’. The state of “something rising high up” is ‘高升 gao sheng’ in Chinese, which may be metaphorically used to mean ‘getting a promotion’. Thus, the image of a person pointing to the sun high up in the sky visually cues the congratulatory saying ‘zhi ri gao sheng 指日高升 May your chance of promotion be just round the corner’.

zhi ri gao sheng from Essai sur l’architecture chinoise
illustration, 18th century, from Essai sur l’architecture chinoise

Essai sur l’architecture chinoise (Essay on Chinese Architecture), an illustrated manual composed by an anonymous 18th-century French missionary, contains an example of a spirit screen (照壁 zhao bi), on which the pun rebus was supposed to bless the master of the house where it is situated.


Chinese scholars pointing to the sun pun for promotion
porcelain mug, late 1630s – 1640s, courtesy of State Hermitage Museum

Reference: mug decorated with figures in a landscape, underglaze blue and gold, H 19.5 cm, late 1630s – 1640s, Oriental Art Vol. XL No.2 1994, State Hermitage Museum, St. Petersburg, p. 16

However, this pun rebus is a seemingly natural scene and thus is frequently met with blind eye. For example, it was simply labelled ‘figures in a landscape’ by curators in the Hermitage, St. Petersburg, Russia (see above).

More often, the round disc is interpreted as the ‘moon’, as Daisy Lion-Goldschmidt did in her ‘Ming Porcelain’ and Rosemary Scott did in two of her books, which would, therefore, lead the viewer on a wrong track (see below).

scholar pointing to the sun good wish for promotion
porcelain brush holder, Ming dynasty, from Ming Porcelain by Daisy Lion-Goldschmidt

Reference: Lion-Goldschmidt, Daisy. Ming Porcelain. Translated by Katherine Watson. NY: Rizzoli, 1978:201: table screen “… decorated with a scholar contemplating the moon”


page boy pointing to the sun wishing for promotion Percival David Foundation of Chinese Art
porcelain dish, Kangxi (1662–1722), courtesy of Percival David Foundation of Chinese Art

Reference: Rosemary E. Scott. Elegant Form and Harmonious Decoration: Four Dynasties of Jingdezhen Porcelain. California: Percival David Foundation of Chinese Art. 1992: “accompanied by two attendants, one of whom is pointing to the moon”

Reference: Rosemary E. Scott. For the Imperial Court: Qing Porcelain from the Percival David Foundation of Chinese Art. New York: American Federation of Arts. 1997, p. 72 “the other (attendant) … points to the moon emerging from behind clouds”


In fact, the disc appearing in the sky on Chinese porcelain is usually the Sun, unless it is accompanied by constellations, which is a formation of dots and connecting lines, as shown on the comparing dish and the transitional jar (see below).

porcelain dish, Kangxi period (1662–1722), Qing dynasty, courtesy of Shanghai Antique Store
porcelain dish, Kangxi period (1662–1722), Qing dynasty, courtesy of Shanghai Antique Store


porcelain incense burner from Ming dynasty
porcelain incense burner, Tianqi period (1621–27), Ming dynasty, courtesy of the Trustees of the British Museum
porcelain jar, Shunzhi period (1644–61), Qing dynasty, courtesy of Sir Michael Butler Collection


Occasionally, the auspicious idiom would be taken too literally, as is found in the translation in a Christie’s sales catalogue, where ‘指日 zhi ri’ was rendered as ‘like the sun’.

silk wrapper, Guangxu (1875–1908), formerly Linda Wrigglesworth Collection
silk wrapper, Guangxu (1875–1908), formerly Linda Wrigglesworth Collection

Reference: The Imperial Wardrobe, Fine Chinese Costume and Textiles from the Linda Wrigglesworth Collection, Christie’s New York, 19th March, 2008, lot 130, “The red silk damask sheath applied with four gold paper characters, 指日高升 zhi ri gao shen(sic), which express the wish, ‘to rise in office like the sun’…”


As the above examples show, deciphering the culture-specific meaning of traditional Chinese motifs and, in particular, pun rebuses requires knowledge of a true specialist and blunders are not to be overlooked.


The findings and opinions in this research article are written by Dr Yibin Ni.